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Article
Affiliation(s)

Xi’an Academy of Fine Arts, Xi’an, China

ABSTRACT

Founded in the 1980s, The Trend of Art Thought was a vital carrier of theoretical communication in China’s art scene. It responded to internal discussions and theoretical debates in the art world and built a communication platform for a broader community of art practitioners. Centered on the public discursive field constructed by the magazine to communicate with its readers, this paper systematically sorts out the composition and characteristics of its audience. Meanwhile, from the two dimensions of builder of the new trend discursive field and pioneer of media resistance, it analyzes the core role of the magazine in the communication of contemporary Chinese art, reveals its important function in promoting the development of art theory, the innovation of Chinese painting, and the “85 New Wave” Art Movement, and provides an important perspective for studying the transformation of China’s art world and social trends in the 1980s.

KEYWORDS

The Trend of Art Thought, theoretical dissemination, audience response, the “85 New Wave” Art Movement

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References

Carey, J. W. (2019). Communication as culture: Essays on media and society. (W. Ding, Trans.). Beijing: China Renmin University Press.

Chen, B. P. (1985). Selected letters. The Trend of Art Thought, (2), 23.

Gao, M. L., Zhou, Y., Wang, X. J., Wang, M. X., Shu, Q., & Tong, D. (1991). History of contemporary Chinese art 1985-1986. Shanghai: Shanghai People’s Publishing House.

Li, X. S. (1985a). My view on contemporary Chinese painting. Jiangsu Pictorial, 56(7), 50.

Li, X. S. (1985b). The premise for the existence of Chinese painting. The Trend of Art Thought, (7), 7.

Lu, H. (1985). What to absorb from western painting. The Trend of Art Thought, (1), 24.

Peng, D. (1985). Q&A on the trend of art thought. The Trend of Art Thought, (1), 2.

Sun, Y. (1985). Art authority and art value. The Trend of Art Thought, (2), 17.

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