![]() |
customer@davidpublishing.com |
![]() |
3275638434 |
![]() |
![]() |
| Paper Publishing WeChat |
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
XIAO Li-li
Full-Text PDF
XML 816 Views
DOI:10.17265/2159-5836/2025.02.003
School of Foreign Language, Wuhan University of Technology, Wuhan, China
Angela Carter’s “The Company of Wolves” is a provocative retelling of the classic fairy tale “Little Red Riding Hood,” delving into complex themes of sexuality, violence, and human nature. This paper examines the story’s ethical implications through a literary ethics lens, focusing on the wolf as a symbol of both danger and desire. It explores the wolf’s dual nature, the power dynamics between rulers and the ruled, and the ethical choice between conflict and coexistence.
“The Company of Wolves,” Angela Carter, literary ethics
Journal of Literature and Art Studies, February 2025, Vol. 15, No. 2, 66-69
Carter, A. (1979). The bloody chamber and other stories. Middlesex: Penguin Books Ltd.
Nie, Z. Z. (2010). Ethical literary criticism: Its fundaments and terms. Foreign Literature Studies, 1, 12- 22.
Nie, Z. Z. (2014). 《文学伦理学批评导论》. 北京: 北京大学出版社.
Nie, Z. Z. (2022). 文学伦理学批评与文学理论创新的跨学科思考. 《华中师范大学学报(人文社会科学版)》, 61(2), 79-84.
聂珍钊. (2022). 伦理选择概念的两种涵义辨析. 《外国文学研究》, 44(6), 15-25.
聂珍钊, 王松林. (2020). 《文学伦理学批评理论研究》. 北京: 北京大学出版社.
孙舒. (2017). 安吉拉·卡特原著改编电影《与狼为伴》深度研究. 电影评介, 17, 92-94.
武田田. (2010). 生态女性主义思潮中的温馨小品——论《与狼为伴》中的两性欲望与自然之关系. 北京林业大学学报 (社会科学版), 9(04), 116-120.



