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Article
Affiliation(s)

Hanyang University, Seoul, South Korea
Hanyang University ERICA, Ansan, South Korea

ABSTRACT

Marquetry, also known as wood mosaic or wood veneer mosaic, uses wood as its primary material for intricate inlay work. Historically significant, marquetry can be seen in renowned museums like France’s Louvre, the British Museum, and Italy’s Uffizi Gallery. It is favored in interior design for its natural ambiance and affordability, enhancing spaces with its rich textures and colors. Having evolved significantly during the Italian Renaissance, today’s technological advancements have simplified marquetry, allowing for more complex designs and easier production. This thesis explores the application of thin wood inlays in modern home decor, highlighting marquetry’s blend of traditional craftsmanship and contemporary aesthetics, contributing to interior design innovation and inspiring designers.

KEYWORDS

thin wood, flower arrangement, pattern, decoration, marquetry

Cite this paper

Psychology Research, November 2024, Vol. 14, No. 11, 317-325

References

Arab, S., Hatam, G. A., & Shahroodi, F. (2023). Study and analysis of the execution method of marquetry inlay from the Qajar period to the recent decade. Negareh Journal, 18(67), 171-189.

Cordier, S. (2012). The Bellangé Album and New Discoveries in French Nineteenth-Century Decorative Arts. Metropolitan Museum Journal47(1), 119-147.

Betjemann, P. (2008). Craft and the limits of skill: handicrafts revivalism and the problem of technique. Journal of Design History21(2), 183-193.

Brunne, U. (2007). Marquetry: Past and present. In The marquetry symposium, the 2nd Scandinavian symposium on furniture technology & design, Vadstena 2007. Malmstens Alumni.

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