 |
customer@davidpublishing.com |
 |
3275638434 |
 |
 |
| Paper Publishing WeChat |
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
A Study of the People’s Nature in Woodcuts During the Anti-Japanese War in Shanxi
ZHANG Tong-yuan
Full-Text PDF
XML 649 Views
DOI:10.17265/2159-5836/2024.11.012
Shanxi University , Taiyuan, China (030006)
The anti-Japanese woodcuts focus on the red revolutionary culture and describe the connotation of the Anti-Japanese War era, which is self-evident in the commemorative value of China’s revolutionary struggle history. For example, in Shanxi, China, woodcut art activities and social practice promotion activities organized around the theme of the Anti-Japanese War are also everywhere, which all show the people’s nature of the Chinese people during the revolutionary struggle from the two aspects of the red culture of the Anti-Japanese War and traditional art and culture, and its humanistic connotation is quite profound. In this paper, we first introduce the historical origin of woodcut during the Anti-Japanese War, and then show the people’s value connotation of woodcut art activities in Shanxi. This paper mainly discusses the image narration, language and picture narration and construction significance of woodcuts in Shanxi’s War of Resistance, fully reveals the narrative nature of image media, strives to arouse people’s recognition of this period of Shanxi’s War of Resistance culture and history, and reflects the realistic value and significance of Shanxi’s War of Resistance Woodcuts art activities.
people’s nature, Shanxi anti-Japanese woodcarving, image media narrative, synergistic effect, construction significance, humanistic cultural identity
Journal of Literature and Art Studies, November 2024, Vol. 14, No. 11, 1047-1055
Chang, Y. Y., & Pang, H. M. (2024). The path, content and significance of international publicity of Woodcut prints during the Anti-Japanese War. Publication and Distribution Research, (7), 95-102.
Chen, M. S. (2024). The Schematic representation of contemporary watermarked woodcut prints. Chinese Fine Arts, (2), 115-118.
Chen, P., & Tang, R. (2024). Yan’an Woodcut style animation design practice. Packaging and Design, (3), 164-165.
Lena, G. (2021). The perfect combination of revolution and artistry: the characteristics of Woodcut engraving creation in Shanxi anti-Japanese Base Area. Fine Works Appreciation, (14), 179-180.
Li, Q. (2022). Study on the propagation path of Luyi Woodcut art in Taihang Mountain Area. New American Domain, (7), 65-67.
Pang, H. M. (2023). Cross-media narrative of woodcuts in anti-Japanese base areas in Shanxi. Editor’s Friend, (4), 97-104.
Xing, R. R., & Hao, X. (2024). The foundation of Taihang spirit, its profound meaning and the way to carry it forward. Journal of Hebei Youth Management Institute, 36(5), 108-113.