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Affiliation(s)

1. Athens School of Fine Arts, Athens 10682, Greece
2. University of Florence, the department of History, Critical Analysis and Theory of Architecture, Florence, 50121, Italy

ABSTRACT

The architectural design of the YCBA (Yale Center for British Art) exemplifies Kahn’s exploration of light as a transformative element. However, preserving sensitive materials within the museum challenges the building’s original intent. The potential harm caused by light necessitates control measures, potentially compromising the intended luminous ambiance envisioned by Kahn. A comprehensive survey revealed a strong preference for natural light in the museum environment. Visitors appreciated the ethereal qualities and heightened engagement with exhibits facilitated by natural light. This research critically examines the balance between architectural vision, preservation imperatives, and visitor expectations, highlighting the museum space as a dynamic field of action. The architectural elements, interior configuration, lighting, and movement are in constant harmony and conflict. This investigation contributes to a deeper understanding of the relationship between architecture, light, the museum experience, and knowledge. It underscores the importance of considering preservation, design, and visitor preferences when balancing these elements in museums.

KEYWORDS

Architecture, light, visitors, museum experience.

Cite this paper

Journal of Civil Engineering and Architecture 18 (2024) 415-422 doi: 10.17265/1934-7359/2024.09.001

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