Paper Status Tracking
Contact us
[email protected]
Click here to send a message to me 3275638434
Paper Publishing WeChat

Article
Affiliation(s)

University of Massachusetts Lowell, Lowell, MA, USA

ABSTRACT

The Altomani & Sons Collection owns a remarkable newly discovered portrait of Guidobaldo II della Rovere, Duke of Urbino (1514-1574), a historical military figure who was a condottiere, ruler of Urbino, Commander-in-chief of the Papal Estate, and Perfect of Rome, as well as a collector and patron of the Fine Arts. Camilla Guerrieri Nati (1628-1694), a seventeenth-century Italian painter from Fossombrone (in the province of Pesaro and Urbino), portrayed this heroic personage surrounded by emblems associated with his military courage and leadership, including his plumed burgonet helmet, metal gilded armor, a necklace with the golden fleece, and batons of secular and religious dominions. This oil painting on copper—considered a precious metal at the time—emphasizes the importance of the commission. The material and technique also reveals a unique artistic achievement in that it provides the painting with a smooth, reflective surface and vibrant coloration, symbolizing precious imagery.

KEYWORDS

Camilla Guerrieri, Della Rovere Family, Negroli Family, Minerva, Mars, military portrait, armor, baton, helmet, oil on copper, dolphin and oak symbolism

Cite this paper

Journal of Literature and Art Studies, August 2024, Vol. 14, No. 8, 641-659

References

Alciato, A. (1621). Emblemata. Padua: Petro Paulo Tozzi.

Avery, C. (2009). A school of dolphins. London: Thames and Hudson.

Bianchi, G. H. (1877). The mythology of Greece and Rome: With special references to its use in art. London: Marcus Ward & Co.

Biedermann, H. (1994). Dictionary of symbolism: Cultural icons & the meanings behind them. New York: Meridian.

Biganti, T. (2005). L’eredita Dei Della Rovere: Inventari Dei Beni in Casteldurante (1631). Urbino: Accademia Raffaello.

Breiding, D. H. (2000). Fashion in European Armor, 1500-1600. Heilbrunn timeline of art history. New York: The Metropolitan Museum of Art.

Camajni, P. G. (1940). Dizionario Araldico. Milan: Arnaldo Forni.

Castiglione, B. (1528). The book of the courtier. London: The Warburg Institute.

Cheney, L. De G. (2022). Giorgio Vasari’s military dress code in the Battlefield: The Honorific Helmet. In D. Acciarino (Ed.), De re Vestiaria. Antiquity and fashion during the Renaissance (pp. 176-192). Venice: Anteferma Edizione.

Chevalier, J., & Gheerbrant, A. (1994). A dictionary of symbols. London: Blackwell.

Cooper, J. C. (1992). Symbolic & mythological animals. London: Aquarian Press.

D’Ancona, M. L. (1977). The garden of the Renaissance: Botanical symbolism in Italian painting. Florence: Leo S. Olschki.

Davidson Reid, J. (Ed.). (1993). The Oxford guide to Greek Mythology in the arts 1300-1990s. Oxford: Oxford University Press.

Eisenbichler, K. (1988). Bronzino’s Portrait of Guidobaldo II della Rovere. Renaissance and Reformation / Renaissance et Réforme, 12(1), 13-20.

Erasmus, D. (1536/1621). Adagia. London: Bernard Alsop.

Eze, A.-M. (2021). Dynasty and destiny: The provenance of Titian’s Portrait of Guidobaldo II della Rovere and his Son Francesco Maria.” In A.-M. Eze, M. Hayes, I. Kennedy, and I. Verstegen (Eds.), Titian, the Della Rovere Dynasty & his portrait of Guidobaldo II and his Son (pp. 45-74). London: Paul Holberton Publishing.

Eze, A.-M., Hayes, M., Kennedy, I., & Verstegen, I. (2021). Titian, the Della Rovere Dynasty & his portrait of Guidobaldo II and his Son. London: Paul Holberton Publishing.

Fontebuoni, L. (1981). Ritratti dei Della Rovere di Camilla Guerrieri. Pesaro: Museo Civico.

Giardini, C. (1999). Camilla Guerrieri 1628-post 1690. Fano: Grappo 5.

Giardini, C. (2008). Una aggiunti alla serie di ritratti rovereschi di Camilla Guerrieri (1658). Rivista dei Musei Civici di Pesaro, (4), 20-27.

Hunter, R. (Trans.). (1993). Apollonius of Rhodes: Jason and the Golden Fleece. Oxford: Oxford University Press.

Jäger, F. (2018). Bodies of knowledge: Renaissance Armor and the engineering of mind. Espacio, Tiempo Y Forma, Serie VII Historia del Arte, (6), 89-118.

Komanecky, M. (1999). Copper as canvas: Two centuries of masterpiece painting on copper, 1575-1775. Phoenix, AZ: The Phoenix Art Museum.

Lang, A. (1903). The story of the Golden Fleece. Philadelphia: H. Altemus Company.

Massari, A., & Maria, A. (2006). Catalogo generale. Pinacoteca Nazionale di Bologna (2 Vols.). Venice: Marsilio.

Oplotheca, L. (1816/2010). Catalog of a most splendid and instructive collection of ancient armour. London: Smith and Davy for the Oplotheca Gallery.

Penny, N. (2010). Frames—A closer look. London: Yale University Press.

Phyrr, S. W., Godoy, J.-A., & Leydi, S. (1999). Heroic armor of the Italian Renaissance: Filippo Negroli and his contemporaries. New York: Metropolitan Museum of Art.

Reid, J. D. (Ed.). (1993). The Oxford companion to classical mythology in the arts 1300-1990s (2 Vols.). Oxford: Oxford University Press.

Robinson, R. (1975). The armour of imperial Rome. Somerset, UK: Purnell and Sons.

Scalini, M. (1987). Armature all’eroica dei Negroli. Florence: S.P.E.S. 

Simmonds, M., Howes, M.-J., & Irving, J. (2016). The gardner’s companion to medicinal plants. London: Frances Lincoln.

Springer, C. (2010). Armour and masculinity in the Italian Renaissance. Toronto: University of Toronto Press.

Vernarecchi, D. A. (1892/2020). Di Tre Artisti Fossombronesi: GianFranesco Guerrieri, Camilla Guerrieri and Giuseppe Diamatini. Fossombrone: F. Monacelli, rep. New Delhi: Facsimile Publisher.

Verstegen, I. (2021a). “Guidobaldo II della Rovere and Titian Witnesses to History.” In A.-M. Eze, M. Hayes, I. Kennedy, and I. Verstegen (Eds.), Titian, the Della Rovere Dynasty & his portrait of Guidobaldo II and his Son (pp. 70-74). London: Paul Holberton Publishing.

Verstegen, I. (2021b). A rediscovered portrait of Vittoria Farnese, Duchesse of Urbino by Taddeo Zuccaro. Colnaghi Studies Journal, 43-54.

White, T. H. (1984). The book of the beasts. New York: Dover Publications.

Williams, A. R. (1999). The steel of the Negroli. Metropolitan Museum Journal, 34, 101-124.

About | Terms & Conditions | Issue | Privacy | Contact us
Copyright © 2001 - David Publishing Company All rights reserved, www.davidpublisher.com
3 Germay Dr., Unit 4 #4651, Wilmington DE 19804; Tel: 001-302-3943358 Email: [email protected]