Paper Status Tracking
Contact us
[email protected]
Click here to send a message to me 3275638434
Paper Publishing WeChat

Article
Affiliation(s)

University of Electronic Science and Technology of China, Chengdu, 611731 China

ABSTRACT

In the poems created by the renowned American poet Emily Dickinson, those related to nature constitute a considerable proportion. However, Dickinson’s attitude toward nature is, in fact, contradictory. On the one hand, Dickinson perceives nature as gentle and kind, akin to a mother. Nature is regarded as “heaven” and embodies harmony. On the other hand, nature possesses its own operational principles and harbors inherent cruelty. According to Dickinson, humans should refrain from excessive interference in the natural order. This article attempts to analyze the similarities in attitude towards nature between Dickinson’s poetry and Taoist philosophy.

KEYWORDS

Emily Dickinson, alienation, nature, Taoism

Cite this paper

Journal of Literature and Art Studies, March 2024, Vol. 14, No. 3, 186-193

References

Addiss, S., Lombardo, S., & Watson, B. (1993). Tao Te Ching. Indianapolis: Hackett Publishers.

Blakney, R. B. (1955). The way of life, Lao Tzu, a new translation of the Tao Te Ching. New York: The new American Library.

Chan, W.-T. (1963). A source book in Chinese philosophy. Princeton: Princeton UP.

Franklin, R. W. (Ed.) (1998). The poems of Emily Dickinson. Cambridge: Harvard UP.

Gerhardt, C. (2014). A place for humility: Whitman, Dickinson and the natural world. Iowa City: University of Iowa Press.

Girardot, N. J. (1988). Myth and meaning in early Taoism: The themes of Chaos (Hun-Tun). Berkeley: University of California Press.

Hamill, S., & Seaton, J. P. (1998). The essential Chuang Tzu (First edition). Boston: Shambhala Publications, Inc.

Higginson, T. W., & Todd, M. L. (Eds.). (1891). Poems by Emily Dickinson: Series two. Boston: Roberts Brothers.

Hoffman, A. J., & MacKinnon, J. B. (2017). Finding purpose: Environmental stewardship as a personal calling. London: Routledge.

Johnson, T. H., & Ward, T. (Eds.). (1958). The letters of Emily Dickinson. Cambridge: Harvard UP.

Kang, Y. B. (2018). Dickinson’s Dao Consummate Skills, Dropping-Brain, and Egoless Aesthetics. Orbis Litterarum, 73(3), 288-306.

Kang, Y. B. (2021a). “Work Might Be Electric Rest”: Rereading Dickinson’s Dao through Emerson. Papers on Language & Literature, 57(2), 125-164.

Kang, Y. B. (2021b). Dickinson’s Daisy/sun(set), Daoism, and Emerson. The Explicator, 79(1-2), 41-47.

Kirkby, J. (1991). Emily Dickinson. London: Macmillan Education.

Love, G. A. (2003). Practical ecocriticism: Literature, biology, and the environment. Charlottesville: University of Virginia Press.

Martin, W. (2007). The Cambridge introduction to Emily Dickinson. Cambridge University Press.

Mcabee, L. (2017). Through the Tiger’s eye: Constructing animal exoticism in Emily Dickinson’s “Big Cat’ Poems”. The Emily Dickinson Journal, 26(1), 1-26.

Petry, A. H. (1979). Two views of nature in Emily Dickinson’s “In Winter in My Room”. Modern Language Studies, 9(2), 16-22.

Rolston, H. (1988). Environmental ethics: Duties to and values in the natural world. Philadelphia: Temple University Press.

Todd, M. L., & Higginson T. W. (1892). (Eds.). Poems by Emily Dickinson. Boston: Robert Brothers.

Waley, A. (2013). The way and its power: A study of the Tao Te Ching and its place in Chinese thought. London: Routledge.

About | Terms & Conditions | Issue | Privacy | Contact us
Copyright © 2001 - David Publishing Company All rights reserved, www.davidpublisher.com
3 Germay Dr., Unit 4 #4651, Wilmington DE 19804; Tel: 1-323-984-7526; Email: [email protected]