 |
[email protected] |
 |
3275638434 |
 |
 |
| Paper Publishing WeChat |
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
Gaze and Oppositional Gaze in Mr. Tang’s Girls
YUAN An-ning
Full-Text PDF
XML 70 Views
DOI:10.17265/2159-5836/2024.03.001
School of Translation Studies, Shandong University, Weihai, China
The gaze is a means of power that can flow through family relationships. It has intense regulatory overtones. In her short story Mr. Tang’s Girls, Malaysian-Chinese Anglophone diasporic writer Shirley Geok-lin Lim shows the conflict between Eastern and Western cultures and the resistance of women under the oppression of patriarchy through the portrayal of the father, Ah Kong, and the eldest daughter, Kim Li. Based on Foucault’s discipline gaze and Hooks’ oppositional gaze, this article analyzes the power operation in the story from the following three aspects: the male gaze, discipline and self-discipline, and the oppositional gaze. Kim Li’s subjective image of breaking free from male ownership control has been presented. It suggests the difficulties encountered by female groups in their rebellion against the male gaze and their pursuit of freedom and emancipation. It also reflects the tragedy of awakening women’s destinies under the dual oppression of patriarchy and the East-Westen cultural conflict.
Mr. Tang’s Girls, Shirley Geok-lin Lim, gaze, oppositional gaze
Journal of Literature and Art Studies, March 2024, Vol. 14, No. 3, 177-185
Chen, R. (2006). Gaze. In Y. F. Zhao, Z. Z. Zhang & D. E. Li (Eds.), Xifang wenlun guanjianci [Key words in western literary theory] (pp. 349-361). Beijing: Foreign Language Teaching and Research Press.
Farahmandian, H. (2015). Critical analysis of multiphernia and identity in two selected Malaysian novels. SEARCH: The Journal of the South East Asia Research Centre for Communication and Humanities, 7(1), 4. https://doi.org/10.7603/s40931-015-0004-0
Foucault, M. (1979). Discipline and punish: The birth of the prison. (A. Sheridan, Trans.). New York: Vintage Books. (Original work published 1975)
Foucault, M. (1980). Power/knowledge: Selected interviews and other writings, 1972-1977. C. Gordon (Ed.). New York: Pantheon Books.
Hawthorn, J. (2006). Theories of the gaze. In P. Waugh (Ed.), Literary theory and criticism: An Oxford guide (p. 508). Oxford: Oxford University Press.
Hooks, B. (1992). Black looks: Race and representation. Boston: South End Press.
Kanter, R. M. (1977). Men and women of the corporation. New York: Basic Books.
Liu S. X. (2023). Fuke quanli pipan zhong de ningshi gainian [The concept of “gaze” in Foucault’s critique of power]. Journal of Western, 1, 156-159. https://doi.org/10.16721/j.cnki.cn61-1487/c.2023.01.008
Lim, Shirley Geok-lin.(1997). Two dreams: New and selected stories. New York: The Feminist Press.
Lim, Shirley Geok-lin. (2006). Sister Swing. Singapore: Marshall Cavendish Editions.
Marino, E. (2014). Exploring the issues of gender and ethnicity in Shirley Geok-lin Lim’s Sister Swing. Asiatic: IIUM Journal of English Language and Literature, 8(1), 185–194. https://doi.org/10.31436/asiatic.v8i1.462
Matin, P. Y. (1996). Gendering and evaluating dynamics: Men, masculinities, and managements. In D. L. Collinson & J. Hearn (Eds.), Men as managers, managers as men: Critical perspectives on men, masculinities and management (pp. 186-209). London: Sage Publications.
Mulvey, L. (1975). Visual pleasure and narrative cinema. Screen, 16(3), 6-18. https://doi.org/10.1093/screen/16.3.6
Wang, X. J. & Xu, Y. Y. (2023). Gaze and oppositional gaze in By the Light of My Father’s Smile. Journal of Hangzhou Dianzi University (Social Sciences), 19(2), 50-54. https://doi.org/10.13954/j.cnki.hduss.2023.02.007
Xia, X. Y. (2022). Male gaze and anti-gaze in Don Quijote: An example from the chapters of Marcela. Journal of Chongqing Jiaotong University (Social Sciences Edition), 22(4), 89-95.
Zhang, D. M. (2004). Western literature, culture and gaze in the 20th century. Foreign Literature Studies, 4, 114-121+175.
Zhang, Y. & Zhu, M. (2017). Chinese patriarchal culture from the perspective of intercultural identity: Reading Shirley Lim’s Sister Swing. Contemporary Foreign Literature, 38(4), 69-75.https://doi.org/10.16077/j.cnki.issn1001-1757.2017.04.010
Zhou, X. J. (1997). Introduction. In S. G.-L. Lim (Ed.), Two dreams: New and selected stories (pp. vii-xx). New York: The Feminist Press.
Zhu, X. L. (2011). An analysis on gaze theory [Doctoral Dissertation: Nanjing University]. https://kns.cnki.net/KCMS/detail/detail.aspx?dbcode=CDFD&dbname=CDFD1214&filename=1014324123.nh&v=