![]() |
customer@davidpublishing.com |
![]() |
3275638434 |
![]() |
![]() |
| Paper Publishing WeChat |
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
A New Chromatic Vision: The Early Impact of Color Photography on the Representation of Architecture
Angelo Maggi
Full-Text PDF
XML 712 Views
DOI:10.17265/1934-7359/2023.11.005
Department of Architecture and Arts, Università Iuav di Venezia, Dorsoduro 2206, Venice 30123, Italy
The role of color photography in the representation of architecture is a subject little investigated by architectural historiography. The link between the color values of architectural design and its visual transmission in the early phase of modernism was certainly problematic. Color photography had an undeniable impact on architectural color in practice: color photographs in books and periodicals published between the 1940s and 1960s clearly influenced the use of color in architectural design.
20th century architecture, color, photography, historiography.
[1] RIBA. 1952. “Mr. Kidder Smiths Lecture.” RIBA Journal 59 (7): 234.
[2] Elwall, R. 2004. Building with Light. London: Merrell, p. 194.
[3] Domus. 1955. “These remarks appear on an orange bookmark.” Domus 312: 10-11.
[4] Domus. 1954. “Struttura e colore.” Domus 299: 47.
[5] Maggi, A. 2014. The American Journey 1949-1950. Siracusa: Lettera Ventidue.
[6] Gatz, K. 1956. Decorative Designs for Contemporary Interiors. New York: Architectural Book Publishing.
[7] Luckhardt, K. 1959. Lighting in Architecture: Light and Color as Stereoplastic Elements. New York: Reinhold.
[8] Taussig, M. 2006. “What Color is the Sacred?” Critical Inquiry 33 (1): 28-51.




