![]() |
customer@davidpublishing.com |
![]() |
3275638434 |
![]() |
![]() |
Paper Publishing WeChat |
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
Antonioni’s Films Studies From the Perspective of Existentialism
WU Liuming
Full-Text PDF
XML 314 Views
DOI:10.17265/2159-5542/2023.10.006
Guangxi University of Foreign Languages, Nanning, China
Michelangelo Antonioni is one of the notable Italian movie directors in the 20th century. He put the issue of human survival and the inner world high on his agenda. These concerns were precisely the existentialism in philosophy, which provoked a strong reaction in the world at that time. He relied on his sharp perspective to observe social phenomena and conveyed his thoughts through his movies, thus creating an ideal world characterized by his own thoughts. The existentialism theory he employed also contributed to the development of the film industry, endowing the film with a broader sense of beauty.
Michelangelo Antonioni, film, existentialism
Psychology Research, October 2023, Vol. 13, No. 10, 501-505
Li, E. S. (2004). Michelangelo Antonioni’s filmography and the briefs. Contemporary Cinema, 21(6), 98-102.
Li, Y. (2007). Michelangelo Antonioni’s career as a film critic. Contemporary Cinema, 24(6), 41-44.
Zhang, H. J. (2007). Phenomenology reducation of color-world: A close reading on Antonioni’s Red desert. Contemporary Cinema, 24(6), 22-32.