 |
customer@davidpublishing.com |
 |
3275638434 |
 |
 |
| Paper Publishing WeChat |
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
Jazz and Other Improvised Music Applied to Music Education
Marta Salvatori
Full-Text PDF
XML 392 Views
DOI:10.17265/2161-623X/2023.05.003
Piams University, Milan, Italy
Musical improvisation, a phenomenon transcending eras and cultures, is often linked to jazz but has historical roots in the Baroque period and folk traditions like Irish and Indian music. This article examines the role of improvisation in music education, exploring its significance in the Baroque era, marked by features like cadences and basso continuo, and its integration by composers such as Bach and Händel. Additionally, the improvisational techniques in folk music and jazz are discussed, emphasizing their value and application in educational contexts.
jazz, improvised music, music education, Italian music, pop music
Marta Salvatori. (2023). Jazz and Other Improvised Music Applied to Music Education. US-China Education Review A, Sep.-Oct. 2023, Vol. 13, No. 5, 233-239.
Bach, J. S. (1720). 15 Inventionen und 15 Sinfonien da Klavierbüchlein für Wilhelm Friedmann Bach. Edizione moderna Urtext.
Bach, J. S. (n.d.). 6 Englische und 6 Französiche Suiten, BWV 806-817.
Bach, J. S. (n.d.). Klavierübung 1.Teil, Sechs Partiten, BWV 825-830.
Coleman, O. (n.d.). L'improvvisazione jazz: una pratica e una teoria.
Couperin, F. (1722). L’Art de toucher le clavecin. Copia anastatica da Bibliothèque nationale de France.
Couperin, L. (1970). Pièces de clavecin. Alain Curtis (Ed.). Parigi: Heugel & Cie.
D’Anglebert, De Chambonnières, L. Couperin, Froberger. (n.d.). Manuscript Bauyn for the 17th-century French repertoire. Copia anastatica da Bibliothèque nationale de France.
Davis, M. (n.d.). Identità e Cultura nel Jazz.
Frescobaldi, G. (1980). Primo Libro di Toccate e Partite. SPES Firenze.
Frescobaldi, G. (n.d.). Primo e Secondo Libro di toccate.
Giddins, G., & DeVeaux, S. (2009). Jazz. W.W. Norton & Company.
Gillespie, D., & Fraser, A. (2009). To be or not... To Bop. Minneapolis: University of Minnesota Press.
Gioia, T. (1997). The history of jazz. Oxford: Oxford University Press.
Jacques-Dalcroze, E. (n.d.). Pedagogia dell'improvvisazione e crescita creativa.
Jaquet de la Guerre, E. (1687). Pieces de Clavecin.
Kelley, R. D. G. (2009). Thelonious Monk: The life and times of an American original. Pair: Free Press.
Merulo, C. (1627). Primo Libro di Toccate.
Owens, T. (1996). Bebop: The music and its players. Oxford: Oxford University Press.
Priestley, B. (1989). Chasin’ the Bird: The life and legacy of Charlie Parker. Oxford: Oxford University Press.
Pullman, P. (2002). Down Beat: Sixty years of jazz. Hal Leonard Corporation.
Rameau, J. P. (1993). Pièces de Clavecin. Copia anastatica da Éditions Fuzeau classique Courlay.
Rossi, M. (1982). Toccate e correnti d’intavolatura d’organo e cimbalo. SPES Firenze.
Rossi, M. (n.d.). Libro di Toccate e Correnti. Copie anastatiche edite da SPES Firenze.
Russell, G. (2001). The Lydian chromatic concept of tonal organization. Delhi: Concept Publishing.
Scarlatti, D. (1985). Esercizi per gravicembalo. SPES Firenze.
Storace, B. (n.d.). Selva di Composizioni.