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Affiliation(s)

University of Shanghai for Science and Technology, Shanghai, China

ABSTRACT

This article analyzes why Conrad’s fiction tells more truthful history than historians by reviewing the loss of faith in historicism that can tell certain truths and correct culture with the development of the history of ideas and explores how the truth beyond time is revealed through the encountering between the self of Europeans and “the Other” of non-Europeans on the prehistoric African land. As “the Other” of British mainstream culture in his time and a historian of human experience, Joseph Conrad reverses the Eurocentric view of “the Other” culture, reminds Europeans of “the Other” within themselves, undermines the West’s superiority in its culture, and brings the prehistoric truth that has been forgotten by “civilized” Europeans back to them.

KEYWORDS

Heart of Darkness, historicism, history, truth, “the Other”

Cite this paper

US-China Foreign Language, June 2023, Vol. 21, No. 6, 230-234 doi:10.17265/1539-8080/2023.06.004

References

Achebe, C. (2016). An image of Africa: Racism in Conrad’s Heart of darkness. Massachusetts Review, 57(1), 14-27. Retrieved from https://doi.org/10.1353/mar.2016.0003

Bann, S. (2011). The clothing of Clio: A study of the representation of history in ninetennth-century Britain and France. Cambridge: Cambridge University Press.

Conrad, J. (1990). Heart of darkness. Massachusetts: Courier Corporation.

Güven, S. (2013). Post-colonial analysis of Joseph Conrad’s Heart of darkness. Journal of History Culture and Art Research, 2(2), 79-89. Retrieved from https://doi.org/10.7596/taksad.v2i2.233

Hawkins, H. (1979). Conrad’s critique of imperialism in Heart of darkness. Publications of the Modern Language Association of America, 94(2), 286-299. Retrieved from https://doi.org/10.2307/461892

Miller, J. H. (1963). The disappearance of god: Five nineteenth-century writers. Cambridge, Mass.: Belknap Press of Harvard University Press.

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