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Affiliation(s)

Southwest of Minzu University, Chengdu, China

ABSTRACT

The mother figure is the most frequent female figure in animated films. The portrayal of the mother figure in Lotus Lantern and Nezha:Birth of the Demon Child reflects the social construction of the mother figure in both films, and sheds light on the concepts and attitudes of women in society at different times. The mother figure in Lotus Lantern has the characteristics of a traditional ideal mother in a typically patriarchal culture; the mother figure in Nezha: Birth of the Demon Child returns to the realistic mother. The construction of the ideal mother to the realistic mother will also lead us to a more realistic understanding and concern for mothers and women in a realistic context.

KEYWORDS

motherhood, ideal mother, realistic mother

Cite this paper

Journal of Literature and Art Studies, April 2023, Vol. 13, No. 4, 267-271

References

Cai, Y. W. (2022). From reflecting on the myth of motherhood to “misogyny”: Mother-daughter relationships in Chinese women’s films. Northern Forum, 03, 121.

Chen, M. Z. (2022). Reimagining Nezha in The Descent of Nezha the Demon Boy. Animation Studies, 02.

Feng, P. P. (2013). The gendered nature of the gaze: A study of feminist film theory of women’s viewing styles. Women’s Studies Series, 05, 85-86.

Ren, L. X., & Wu, Y. (2021). Construction, subversion, compatibility: A study of the evolution of the mother image in Chinese animated films. Film Literature, 04, 67.

Zhang, Y., & Wang, M. (2021). The construction of motherhood in national animation from a folk cultural perspective: Five versions of Nezha’s anime story as an example. Art Review, 04, 99-100.

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