Paper Status Tracking
Contact us
[email protected]
Click here to send a message to me 3275638434
Paper Publishing WeChat

Article
Affiliation(s)

Wuhan University of Technology, Wuhan, China

ABSTRACT

Bobbie Ann Mason is one of the representatives of American new southern writers. Her short story “Shiloh” is about the broken marriage of a southern American family. Starting from the family reasons and under the background of the times, this paper reveals the identity crisis faced by the heroine Norma Jean under the pressure of her broken marriage, economic pressure, and the social transformation of the Woman’s Liberation Movement. In order to get out of the identity crisis, Norma Jean is struggling in pain and seeking identity in confusion, which challenges the traditional male hegemony. The heroine Norma Jean’s identity construction shows her awakening of female consciousness. Woman’s self-identity and self-independence have been realized, and the transformation from traditional women to new women has gone through the process of awakening, growth and independence.

KEYWORDS

identity crisis, identity pursuit, identity construction

Cite this paper

Journal of Literature and Art Studies, December 2021, Vol. 11, No. 12, 951-954

References

Bentley, G. (2004). The wounded king: Bobbie Ann Mason’s Shiloh and marginalized male subjectivity. Southern Literature Journal, (26), 144-161.

Champion, L. (2001). Bobbie Ann Mason’s (Open-Ended) marriages. The Mid-West Quarterly, (43), 95-111.

Kalb, J. D. (1996). Bobbie Ann Mason. In R. G. James, & H. G. Wanda (Eds.), Dictionary of literary biography (pp. 118-131). Detroit: Gale Group.

Mason, B. A. (1982). Shiloh and other stories. New York: The Modern Library.

Towers, R. (1982). American Graffiti. A review of Shiloh and other stories. New York: New York Review of Books.

Wilhelm, A. (1998). Bobbi Ann Mason. A study of the short fiction. New York: Twayne Publishers.

陈奕平. (2006). 当代美国人家庭与婚姻模式的演变及其影响. 世界民族, (02), 60-70.

蒋朝霞. (2017). 以《夏伊洛》为例解读鲍比·安·梅森作品主题. 语文建设, (24), 49-50.

刘彦娇. (2018). 文化的碰撞:《夏伊洛》中勒罗伊的身份危机探究. 英语广场, (02), 3-5.

唐伟胜, 杨晓霖. (2009). 论《夏伊洛》的极简主义式结尾. 外国文学, (06), 18-24.

汪丹丹. (2020). 分裂·沟通·融合 (上海师范大学).

王中强. (2014). 文学批评中的男性研究方法:以短篇小说《夏伊洛》的解读为例. 名作欣赏, (18), 37-38.

杨丽. (2012). 《夏伊洛》中错位的两性角色. 海外英语, (07), 215-217.

张晶. (2009). 涤荡历史顺应历史重塑自我——鲍比.安.梅森小说的反历史主题分析. 通化师范学院学报, (5), 76-78.

张坤. (2017). 逝逝的历史,摇曳的残烛——鲍比.安.梅森短篇小说的历史观. 语言文学研究, (5), 10-12.

About | Terms & Conditions | Issue | Privacy | Contact us
Copyright © 2001 - David Publishing Company All rights reserved, www.davidpublisher.com
3 Germay Dr., Unit 4 #4651, Wilmington DE 19804; Tel: 001-302-3943358 Email: [email protected]