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Affiliation(s)

University of Shanghai for Science and Technology, Shanghai, China

ABSTRACT

The slave trade has exerted an enormous influence on the black people especially who live in America so that this phenomenon has generated many great African American writers whose subject matter is always about the racial discrimination. Richard Wright, as one of the celebrated African American writers, creates an unprecedented image, Bigger, in his work Native Son, which has aroused many scholars’ research. With the help of detailed analysis of the text, this essay aims to explore and study why most of the black people in this book especially Bigger subconsciously grovel and lower themselves, that is its characters’ innate inferiority and their slavishness in the blood when they are facing with the white.

KEYWORDS

Richard Wright, Native Son, slavishness in the blood

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References

Butler, R. J. (1986). The function of violence in Richard Wrights Native son. Black American Literature Forum, 20(1/2), 9-25.

Hu, T. (1997). Social existence and psychological motivation—on the personality fission of Bigger in Native Son. Foreign Literature Studies, 04, 64-67.

Li, Y. (2007). How Wright Decondtructs WASP with Naming Code in Native Son. Foreign Literature Studies, 02, 88-95.

Schotland, S. D. (2011). Breaking out of the rooster coop: Violent crime in Aravind Adigas White tiger and Richard Wrights Native son. Comparative Literature Studies, 48(1), 1-19.

Takeuchi, M. (2009). Biggers divided self: Violence and homosociality in Native son. Studies in American Naturalism, 4(1), 56-74.

Tuitt, P. (2000). Law and violence in Richard Wright’s Native son. Law and Critique, 11(2), 201-217.

Wang, N., & Fei, F. (1992). A new criticism of Bigger. Foreign Language, 04.

Wright, R. (1970). Native son. London: University of Delhi.

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