![]() |
[email protected] |
![]() |
3275638434 |
![]() |
![]() |
Paper Publishing WeChat |
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
FU Jun-jie, TANG Xiao-xiang
Full-Text PDF
XML 851 Views
DOI:10.17265/2159-5836/2019.12.014
South China University of Technology, Guangzhou, China
The Qing Dynasty was the mature period of traditional Chinese gardens, and the construction of royal gardens reached its peak. Using the method of image and text analysis, the landscape features of different seasons in the Chinese gardens were probed, the layout of its spatial elements and the method of plant landscaping was analyzed, and the artistic characteristics of the gardens in the Qing Dynasty was studied. The aesthetic conception of the gardens have been discussed from the following aspects, the integration of time and space, the harmonious relationship between the garden elements and the fusion of scenery and feelings.
landscape aesthetics, traditional Chinese gardens, planting methods, palace paintings
Chen, Z., & Zhang, G. C. (1983). Selected notes of famous gardens in Chinese history. Hefei: Anhui Science and Technology Press.
Cong, Y. P., & Zhao, D. (1998). An aesthetic analysis of plants landscape in Gaichun Garden during the Qingyi Garden period. Chinese Garden (Zhongguo Yuanlin), 31(2), 82-85.
Gu, K. (2014). Cypress pavilion—special construction of southern gardens in Ming Dynasty. Journal of Architecture, Z1, 156-160.
Han, B. D. (1982). Space concept of The paintings of twelve seasons of Qing court painting. In Symposium on Traditional Culture and Modern Life (pp. 577-592). Taipei: Chinese Cultural Revival Committee.
Hu, L. Y., & Zheng, W. J. (2018). Study on the design method of plantscape in Yuan Ye. Chinese Garden, 34(12), 122-125.
Ji, C. (2017). Yuan Ye. Beijing: Zhong Hua Book Company
Jung, W.-J. (2015). Changes in the uses and meanings of the bamboo screen (zhuping) in traditional Chinese gardens. Studies in the History of Gardens and Designed Landscapes, 35(1), 71-89.
Li, Y. (2007). Sketches of idle pleasure. Beijing: China Textile Press.
Lin, H. S. (1982). Ding Guanpeng’s imitation of ancient paintings and the new style of Qianlong’s court paintings. Taipei: Taiwan University.
Métailié, G. (1998). Some hints on “Scholar Gardens” and plants in traditional China. Studies in the History of Gardens and Designed Landscapes, 18(3), 248-256.
Sima, G. (1935). Articles of Sima Guang. The Commercial Press.
Tang, F. Q., & Fu, J. J. (2019). A study of the spiritual expression of corridors in literati gardens. International Journal of Literature and Arts, 7(4), 70-77. doi:10.11648/j.ijla.20190704.11
Tang, X. X. (2017). Fifteen lectures on architectural aesthetics. Beijing: China Architecture & Building Press.
Tang, X., & Gao, C. (2010). Preliminary study of landscape plant disposition in the theory of traditional Chinese painting. Guangdong Garden Landscape Architecture (Guangdong Yuanlin), 32(6), 42-45.
Tong, J. (2018). Glimpses of gardens in Eastern China. Changsha: Hunan Fine Arts Publishing House.
Wang, F. Z. (1981). Notes on poetry of Jiang Zhai. Beijing: People’s Literature Press.
Wang, X. (2005). A study on traditional Chinese garden planting design theories (Doctoral dissertation, Beijing Forestry University, Beijing).
Wen, Z. H. (2017). Zhang Wu Zhi. Beijing: Zhong Hua Book Company.
Zhang, W., Tang, X., He, X., & Lai, S. (2018). Attentional bias to beauty with evolutionary benefits: Evidence from aesthetic appraisal of landscape architecture. Frontiers in Psychology, 9, 71. doi:10.3389/fpsyg.2018.00071