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This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
Article
Author(s)
Emanuela Sorbo
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DOI:10.17265/1934-7359/2019.02.006
Affiliation(s)
Department of Architecture Construction Conservation; Università IUAV di Venezia, Dorsoduro 2206, 30123, Venice, Italy
ABSTRACT
Post WWII reconstruction
took place at a time of fundamental importance for our understanding of the
divide, theoretical and technical, between consolidation, reconstruction and
restoration. Indeed, this period represents the moment in which the earliest
stages of this rift emerged. In this essay, we shall attempt to provide an account
of this phenomenon by citing case studies considered important within the
Italian and German context: post-WWII reconstruction work in the Veneto region
(at key sites such as the Basilica Palladiana in Vicenza, the Palazzo dei
Trecento in Treviso and the Church of the Eremitani in Padua), reconstruction
of the Alte Pinakothek in Munich, and reconstruction and work for new use of
the hospital, Ospedale Maggiore, in Milan, as a seat for the Università
Statale. Considering these instances provides us with an opportunity to
reconsider the transition, theoretical and technical, between conservation of
ruins and reconstruction of memory.
KEYWORDS
Cultural heritage, post-WWII reconstruction, cultural memory and identities, architectural restoration and conservation.
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