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Article
Author(s)
Adriana Iezzi
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DOI:10.17265/2159-5836/2015.03.007
Affiliation(s)
“Sapienza” University of Rome, Rome, Italy
ABSTRACT
Since the mid-1980s Chinese calligraphy art has undergone a radical change and has opened itself to experimentation. Nowadays in China this artistic revolution has sparked a vivid debate among the art critics on three main topics: (1) definition of the phenomenon; (2) analysis of its nature; and (3) classification of the artistic production. In this article, all these aspects are analysed in order to give a comprehensive view of the present theoretical discussion and of its future development.
KEYWORDS
Chinese Modern Calligraphy (CMC), contemporary China, art critic, critical debate, modernity,
contemporary art, modern art
Cite this paper
References
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PU, L. P., & GUO, Y. P. (2005). 中国现代书法到汉字艺术简史 (Zhongguo xiandai shufa dao hanzi yishu jianshi). Chengdu: Sichuan Fine Arts Press.
Chew, K. L. (2001). Transcending limits: A centenary journey from traditional Chinese calligraphy to new art calligraphic art. Retrieved from http://www.niubizi.com/02_wenzihua/ 02b3_chew.html
FU, J. S. (1998). 中国现代书法的类型及其它 (Zhongguo xiandai shufa de leixing ji qiwen). Retrieved from http://wuxizazhi.cnki.net/Search/MSGC199806004.html
FU, J. S. (2001). 傅京生书法论集 (Fu Jingsheng shufa lunji). Beijing: Culture and Art Press.
FU, J. S. (2011). 中国现代书象 (The shape of Chinese modern calligraphy). Beijing: Culture and Art Press.
GAO, T. M. (2004). “现代书法”的含义 (“Xiandai shufa” de hanyi). In D. L. WANG (Ed.), 中国“现代书法”论文选 (Florilegium of theses on contemporary Chinese calligraphy). Beijing: China Fine Arts Press.
GU, G. (1992). 现代书法漫议 (Xiandai shufa manyi). Retrieved from http://wuxizazhi.cnki.net/Search/MUSE199204007.html
HONG, H. Z. (2001). 书法资源的现代开发与利用 (Shufa ziyuan de xiandai kaifang yu liyong). In Q. LUO (Ed.), Shufa yu dangdai yishu (Calligrafia e arte contemporanea). Hangzhou: China Academy of Art Press.
HONG, Y. (2010).审美现代性理论关照的 “现代书法” (A study of “modern calligraphy” from the perspective of theories of aesthetic modernity) (Ph.D. thesis, Hangzhou: China Academy of Art).
HUANG, Z. Y. (2011). 伏流.扬波—战后至今(1945-2010)台湾现代书法发展研究 (Fuliu yangbo—Zhanhou zhijin (1945-2010) Taiwan xiandaishufa fazhan yanjiu) (Ph.D. thesis, Hangzhou: China Academy of Art).
Iezzi, A. (2013). Contemporary Chinese calligraphy between tradition and innovation. Journal of Literature and Art Studies, 3(3), 158-179.
LANG, S. J. (2003). 序言 • 书法的‘现代化’—关于‘书法主义’的答问 (Xuyan Shufa de “Xiandaihua”—Guanyu “shufazhuyi” de dawen). In Y. ZHANG & M. SHEN (Eds.), 书法主义 (Shu fa zhu yi). Changsha: Hunan Fine Arts Press.
LI, X. T. (1991). “现代书法”质疑—从“书法同源”到“书画归一” (“Xiandai shufa” zhiyi—Cong “Shuhua tongyuan” dao “Shuhua guiyi”). Retrieved from http://www.shufawu.com/portal.php?mod=view&aid=3731
LI, Y., & LIU, Z. C. (2009). 新中国书法60年: 1949/2009 (Calligraphy 60 Years in China: 1949-2009). Shijiazhuang: Hebei meishu chubanshe.
LIU, C. M. (2010). 中国现代书法史 (The history of modern Chinese calligraphy). Nanjing: Nanjing University Press.
LIU, K. H. (2008). 20世纪末期中国现代书法的创作情境 (The situation of modern Chinese calligraphy at the end of the 20th century). Retrieved from http://wuxizazhi.cnki.net/Search/YSBJ2008S1097.html
LIU, Z. C. (2006). 试析当代书法创变模式(上、下) (Shixi dangdai shufa chuangbian moshi (shang, xia)). Retrieved from http://www.zgyb.org/lilun/liuzongchao007.htm
LIU, Z. C. (2008). 中国书法现代创变理论之反思 (Zhongguo shufa xiandai chuangbian lilun zhi fansi). Nanchang: Jiangxi Fine Arts Press.
LU, D. D. (2004). Zhongguo xiandai shufa dashi nianbiao (中国现代书法大事年表). In D. L. WANG (Ed.), 中国“现代书法”论文选 (Florilegium of theses on contemporary Chinese calligraphy). Beijing: China Fine Arts Press.
LU, F. S. (2004). “现代”之前的徘徊 (“Xiandai” zhi qian de paihuai). In D. L. WANG (Ed.), 中国“现代书法”论文选 (Florilegium of theses on contemporary Chinese calligraphy). Beijing: China Fine Arts Press.
LUO, Q. (1993). 书法主义宣言(Shufazhuyi xuanyan). In D. L. WANG (Ed.), Zhongguo ‘Xiandaishufa’ lunwen xuan 中国“现代书法”论文选 (Florilegium of theses on contemporary Chinese calligraphy). Beijing: China Fine Arts Press.
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PU, L. P., & GUO, Y. P. (2005). 中国现代书法到汉字艺术简史 (Zhongguo xiandai shufa dao hanzi yishu jianshi). Chengdu: Sichuan Fine Arts Press.
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QU, L. F. (2008). 重估20世纪末中国“现代书法运动” (A revaluation of modern Chinese calligraphy in the late 20th century). Retrieved from http://www.cssn.cn/st/st_wybht/201403/t20140306_1021566.shtml
SHEN, W. (2001). 中国当代书法思潮—从现代书法到书法主义(Zhongguo dangdai shufa sichao—Cong xiandai shufa dao shufazhuyi). Hangzhou: China Academy of Art Press.
TAO, J. (1998). “飞地”书法点评 (“Feidi” shufa dianping). Retrieved from http://www.cnki.com.cn/Article/CJFDTOTAL-MSGC199806018.htm
WANG, D. L. (2005). 享受现代书法的智慧 (Enjoy the wisdom of modern calligraphy), Art China, 4(3), 6-11.
WANG, D. L. (2010). 王冬龄谈现代书法 (Wang Dongling tan xiandai shufa). Beijing: Renmin University Press.
WANG, N. M. (1994). 理解现代书法: 书法向现代和前卫的艺术转型 (Understanding modern calligraphy). Nanjing: Jiangsu Educational Press.
WANG, N. M. (2005). 后抽象艺术与观念艺术中的书法“暗示” (Calligraphic hints in post-abstract art and conceptual art). Art China, 4( 3), 12-14.
WANG, T. D. (2010). 现代书法的水墨形态 (Xiandai shufa de shuimo xingtai) (Ph.D. thesis, Hangzhou: China Academy of Art).
WANG, X. Z. (1986). 现代书画学会书法首届作品选 (Xiandai shuhua xuehui shufa shoujie zuopin xuan). Beijing: Beijing Sport University Press.
Wear, E. (2008). Square words, round paradigms: Contemporary calligraphy in China. Retrieved from http://artasiapacific.com/Magazine/58/SquareWordsRoundParadigmsContemporaryCalligraphyInChina
XU, P. Z. (2010). Cong yizhi dao zhagen—Xianggang xiandai shufa shi yanjiu (1945-2010) 从移植到扎根—香港现代书法史研究(1945-2010) (Ph.D. thesis, Hangzhou: China Academy of Art).
YANG, Y. S. (2000). Cronology of Chinese modern calligraphy (1985-1999). Retrieved from http://www.china-gallery.com/en
YANG, Y. S. (2001). 书法作为资源: 中国当代艺术的新方向 (Shufa zuowei ziyuan: Zhongguo dangdai yishu de xinfangxiang). In D. L. Wang (Ed.), 中国“现代书法”论文选 (Florilegium of theses on contemporary Chinese calligraphy). Beijing: China Fine Arts Press.
YANG, Y. S. (2009). La Calligraphie et le concept: Le nouveaux courants contemporains (Calligraphy and concept: The new contemporary currents). In D. A. Fan & Q. S. Zhu (Eds.), Le Pavillion des Orchidées. L’art de l’écriture en Chine. Bruxelles: Fonds Mercator.
ZHANG, A. G. (2007). 中国“现代书法”蓝皮书 (The Blue Book of the Chinese “Modern Calligraphy”). Hangzhou: China Academy of Art Press.
ZHANG, N. (1999). A criticismof the complex of modern calligraphy at the end of the century. In Y. S. YANG (Ed.), Bashu Parade: 99 Chengdu Retrospective of Chinese Modern Calligraphy at the End of the Twentieth Century. Chengdu: Sichuan International Cultural Exchange Center.
ZHANG, Q. (1993). 现代书法学综论 (A comprehensive review of modern calligraphy). Jinan: Shandong youyi shushe.
ZHANG, Y. G. (1998). Brushed voices: Calligraphy in contemporary China. New York: Columbia University Press.
ZHU, Q. S. (2000). 从无锡到北大—我所经历的现代书法试验 (Cong Wuxi dao Beida: Wo suo jingli de xiandai shufa shiyan). Retrieved from http://www.docin.com/p-235766524.html
ZHU, Q. S. (2004). 中国现代书法的层次与方向 (Zhongguo xiandai shufa de cengci yu fangxiang). In D. L. WANG (Ed.), 中国“现代书法”论文选 (Florilegium of Theses on Contemporary Chinese Calligraphy). Beijing: China Fine Arts Press.
ZHU, Q. S. (2009). Ink painting, calligraphy and the third abstraction. Retrieved from http://www.artzinechina.com/display_vol_aid814_en.html
ZHU, Y. S. (2004). “Houxiandai shufa” shenmei lüelun “后现代书法”审美略论. In D. L. WANG (Ed.), 中国“现代书法”论文选 (Florilegium of Theses on Contemporary Chinese Calligraphy). Beijing: China Fine Arts Press.
QIU, Z. Z. (2004). Yuanzi shufa—Dui yilei yishu de mingming yu qita 源自书法—对一类艺术的命名与其他. Xiandaishufayanjiubao, 4.
QU, L. F. (2008). 重估20世纪末中国“现代书法运动” (A revaluation of modern Chinese calligraphy in the late 20th century). Retrieved from http://www.cssn.cn/st/st_wybht/201403/t20140306_1021566.shtml
SHEN, W. (2001). 中国当代书法思潮—从现代书法到书法主义(Zhongguo dangdai shufa sichao—Cong xiandai shufa dao shufazhuyi). Hangzhou: China Academy of Art Press.
TAO, J. (1998). “飞地”书法点评 (“Feidi” shufa dianping). Retrieved from http://www.cnki.com.cn/Article/CJFDTOTAL-MSGC199806018.htm
WANG, D. L. (2005). 享受现代书法的智慧 (Enjoy the wisdom of modern calligraphy), Art China, 4(3), 6-11.
WANG, D. L. (2010). 王冬龄谈现代书法 (Wang Dongling tan xiandai shufa). Beijing: Renmin University Press.
WANG, N. M. (1994). 理解现代书法: 书法向现代和前卫的艺术转型 (Understanding modern calligraphy). Nanjing: Jiangsu Educational Press.
WANG, N. M. (2005). 后抽象艺术与观念艺术中的书法“暗示” (Calligraphic hints in post-abstract art and conceptual art). Art China, 4( 3), 12-14.
WANG, T. D. (2010). 现代书法的水墨形态 (Xiandai shufa de shuimo xingtai) (Ph.D. thesis, Hangzhou: China Academy of Art).
WANG, X. Z. (1986). 现代书画学会书法首届作品选 (Xiandai shuhua xuehui shufa shoujie zuopin xuan). Beijing: Beijing Sport University Press.
Wear, E. (2008). Square words, round paradigms: Contemporary calligraphy in China. Retrieved from http://artasiapacific.com/Magazine/58/SquareWordsRoundParadigmsContemporaryCalligraphyInChina
XU, P. Z. (2010). Cong yizhi dao zhagen—Xianggang xiandai shufa shi yanjiu (1945-2010) 从移植到扎根—香港现代书法史研究(1945-2010) (Ph.D. thesis, Hangzhou: China Academy of Art).
YANG, Y. S. (2000). Cronology of Chinese modern calligraphy (1985-1999). Retrieved from http://www.china-gallery.com/en
YANG, Y. S. (2001). 书法作为资源: 中国当代艺术的新方向 (Shufa zuowei ziyuan: Zhongguo dangdai yishu de xinfangxiang). In D. L. Wang (Ed.), 中国“现代书法”论文选 (Florilegium of theses on contemporary Chinese calligraphy). Beijing: China Fine Arts Press.
YANG, Y. S. (2009). La Calligraphie et le concept: Le nouveaux courants contemporains (Calligraphy and concept: The new contemporary currents). In D. A. Fan & Q. S. Zhu (Eds.), Le Pavillion des Orchidées. L’art de l’écriture en Chine. Bruxelles: Fonds Mercator.
ZHANG, A. G. (2007). 中国“现代书法”蓝皮书 (The Blue Book of the Chinese “Modern Calligraphy”). Hangzhou: China Academy of Art Press.
ZHANG, N. (1999). A criticismof the complex of modern calligraphy at the end of the century. In Y. S. YANG (Ed.), Bashu Parade: 99 Chengdu Retrospective of Chinese Modern Calligraphy at the End of the Twentieth Century. Chengdu: Sichuan International Cultural Exchange Center.
ZHANG, Q. (1993). 现代书法学综论 (A comprehensive review of modern calligraphy). Jinan: Shandong youyi shushe.
ZHANG, Y. G. (1998). Brushed voices: Calligraphy in contemporary China. New York: Columbia University Press.
ZHU, Q. S. (2000). 从无锡到北大—我所经历的现代书法试验 (Cong Wuxi dao Beida: Wo suo jingli de xiandai shufa shiyan). Retrieved from http://www.docin.com/p-235766524.html
ZHU, Q. S. (2004). 中国现代书法的层次与方向 (Zhongguo xiandai shufa de cengci yu fangxiang). In D. L. WANG (Ed.), 中国“现代书法”论文选 (Florilegium of Theses on Contemporary Chinese Calligraphy). Beijing: China Fine Arts Press.
ZHU, Q. S. (2009). Ink painting, calligraphy and the third abstraction. Retrieved from http://www.artzinechina.com/display_vol_aid814_en.html
ZHU, Y. S. (2004). “Houxiandai shufa” shenmei lüelun “后现代书法”审美略论. In D. L. WANG (Ed.), 中国“现代书法”论文选 (Florilegium of Theses on Contemporary Chinese Calligraphy). Beijing: China Fine Arts Press.