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Affiliation(s)

Roger Williams University, Bristol, RI., USA

ABSTRACT

The term “Black Girl Magic” has slipped into our literary vocabulary. The term refers to Black female characters in literary works by writers such as Toni Morrison and Alice Walker who challenge the dehumanizing elements of Black female existence. Can white writers create Black Girl Magic? This essay suggest that they can, offering as examples Eliza Harris in Harriet Beecher Stowe’s 1852 novel Uncle Tom’s Cabin and Dilsey Gibson in William Faulkner’s 1929 novel The Sound and the Fury.

KEYWORDS

Black Girl Magic

Cite this paper

Journal of Literature and Art Studies, January 2025, Vol. 15, No. 1, 1-5

References

Davis, T. M. (1893). Faulkner’s “Negro”: Art and the southern context. Baton Rouge: Louisiana State University Press.

Faulkner, W. (1940). Go down, moses. New York: Vintage Books.

Faulkner, W. (2014). The Sound and the Fury: A norton critical edition. M. Gorra (Ed.). New York: W. W. Norton.

Hedrick, J. D. (1994). Harriet Beecher Stowe: A life. New York: Oxford UP.

Jones, F. (2019). For Ca Shawn Thompson, black girl magic was always the truth. Beacon Broadside 8 February.

Jordan-Zachary, J., & Harris, D. (2019). Black girl magic beyond the Hashtag: Twenty-first century acts of self-definition. Tucson: University of Arizona Press.

Roberts, D. (1994). Faulkner and southern womanhood. Athens: University of Georgia Press.

Stowe, H. B. (1994). Uncle Tom’s Cabin: A norton critical edition. E. Ammons (Ed.). New York: W. W. Norton.

Vickery, O. (1964). The novels of William Faulkner: A critical interpretation. Baton Rouge: Louisiana State University Press.

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