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Affiliation(s)

Qingdao University of Science and Technology, Qingdao, China

ABSTRACT

Mulian baojuan, originating from the Sūtra of Ullambana, tells the story of Mulian rescuing his mother from hell. Rostislav Berezkin, David Johnson, and Wilt L. Idema have studied and introduced it. This paper mainly discusses the translation and dissemination of baojuan to sort out and verify its spread in the English world. The translation and dissemination of baojuan have shifted towards its performances, illustrations, and social functions. The study of baojuan has presented a new development trend by breaking the restrictions of the genre of text and through dynamic interactions with novels, dramas, and other forms of literature.

KEYWORDS

Mulian baojuan, translation, dissemination, English world

Cite this paper

LIU Yue. (2023). Oral Literature: The Translation and Dissemination of Mulian Baojuan in the English World. Philosophy Study, March 2023, Vol. 13, No. 3, 135-140.

References

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Berezkin, R. (2015). Pictorial versions of the Mulian story in East Asia (tenth-seventeenth centuries): On the connections of religious painting and storytelling. Fudan Journal of the Humanities and Social Sciences, 8, 95-120.

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Grant, B., & Idema, W. L. (2011). Escape from blood pond hell: The tales of Mulian and Woman Huang. Seattle: University of Washington Press.

Johnson, D. (1995). Mu-Lien in Pao-Chüan: The performance context and religious meaning of the Yu-Ming Pao-Ch’Uan. In Ritual and scripture in Chinese popular religion: Five studies (pp. 55-103). Berkeley: Chinese Popular Culture Project.

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