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Article
Visual Nationalism and Communal Rituals: Park Saengkwang’s Art and Korean Shamanism
Author(s)
Seojeong Shin
Full-Text PDF XML 453 Views
DOI:10.17265/2328-2177/2022.12.001
Affiliation(s)
University of Pittsburgh, Pittsburgh, USA
ABSTRACT
This paper analyzes Park Saengkwang
(1904-1985)’s artwork, created in the 1980s and influenced by Musok, Korean Shamanism. It explores Musok’s thematic significance
in the development of his distinctive style and the inspiration behind his stylistic
changes. Park’s ink paintings are done in bold and intense colors and create an
intriguing, mysterious mood, inviting the viewers to the primordial visual experience
and exposing its viewers to Korean Shamanism, which has endured the perception that
fluctuated between positive and negative throughout Korean history. The practice became a fitting
cultural emblem associated with the national identity during the 1970s and 1980s, and thus became a way for Park
to explicitly articulate his cultural roots, creating a visual connotation of “Korean.”
His art, portraying gut, Korean shamanistic communal rituals, could be conceived
as a pictorial rendering of the idea of kibok, praying for good fortune, and served
as a pujŏk, talisman
paper, that possesses magical healing and protecting power.
By striving to overcome the stylistic conflicts between Korean and Japanese, or traditional and Western, Park’s
art accomplished the visual rhetoric of national aesthetic sensitivity
that built on the communal thoughts and cultural experience of shamanism in the
modern history of Korea.
KEYWORDS
Park Saengkwang, Korean colored ink painting, Korean Shamanism, Twentieth Century Korean Art, Korean art and shamanism, identity, visual nationalism, communal thoughts and rituals
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