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Affiliation(s)

Wuhan University of Technology, Hubei Wuhan, China, 430070

ABSTRACT

Kate Chopin’s famous short story Desiree’s Baby attracts a large number of readers with its dramatic ending and thematic implication. The love and hate of Armand, the sharp contrast between L’Abri manor and Valmonde plantation and the twists and turns of the plot form the tension beauty of this story. In order to further explore Desiree’s Baby, this paper interprets the emotional tension, image tension and plot tension in the short story. It further explores the thematic implication and artistic beauty of the novel, and reveals Chopin’s criticism of racism. 

KEYWORDS

desiree’s baby, emotional tension, image tension, plot tension

Cite this paper

Journal of Literature and Art Studies, July 2022, Vol. 12, No. 7, 712-715

References

Chen, Y. L. (2010). The nameless “subversive”—A new reading of “Desiree’s Baby”. Foreign Literature, 05, 3-10.

Chopin, K. (1976). The awakening and selected stories of Kate Chopin. New York: Penguin.

Dong, X. F. (2021). Transcultural racial anxiety: Spatial representation of desiree’s baby. Foreign Language and Literature (bimonthly), 37, 50-56.

Hao, Y. (2016). Study on Chopin’s idea of race from Armand in desiree’s baby. Journal of Bengbu University, 05, 65-68.

Jin, L. (2004). Writing woman and woman writing in nineteenth-century America. Beijing: Foreign Language Teaching and Research Press.

Li, Y. F. (2012). The politics of Gaze in Kate Chopin’s desiree’s baby. Journal of Henan Polytechnic University (Social Sciences), 13, 461-465.

Peel, E. (1990). Semiotic subversion in “desiree’s baby”. American Literature, 02, 223-238.

Zhu, G. (2006). Western literary theory in the 20th century. Beijing: Peking University Press.

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