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Article
Affiliation(s)

The College of Literature and Journalism, Sichuan University, Chengdu, China

ABSTRACT

Shakespeare’s Macbeth and Marlowe’s The Tragedy of Dr. Faustus are important dramatic works of the English Renaissance. Despite the distance between their periods of creation, Shakespeare and Marlowe share the same background of social life, and in the same ideological and cultural context, the two playwrights coincidentally deal with the theme of “nothingness” in their respective works. The purpose of this paper is to compare and contrast Macbeth and The Tragedy of Dr. Faustus, and to compare the similarities and differences in characterization and narrative techniques between the two works in exploring the theme of “nothingness”.

KEYWORDS

Macbeth, Faust, desire, curiosity, renaissance, nothingness

Cite this paper

Journal of Literature and Art Studies, July 2022, Vol. 12, No. 7, 699-706

References

Chen, B.-H. (2020). Desire, residual pleasure and dreams: A psychological analysis of Macbeth. Journal of Beijing Second Foreign Language Institute, 42(2), 76-90.

Li, Q., & Wang, J. C. (2007). Christopher Marlowe: A pioneer of English drama. Journal of Hubei College of Education, 24(6), 23-24.

Marlowe, C. (2018). The tragedy of Dr. Faustus (C. Y. Chen, Trans.). Hangzhou: Zhejiang University of Technology and Business Press.

Ren, H. H. (2020). Macbeths nothingness: the rhetoric of subject exoneration in the Lacanian context. Journal of Zhaotong College, 42(2), 72-77.

Wang, E. Q. (2012). The tragedy of Dr. Faustus from the perspective of self-knowledge. Northern Literature (Zhongjun), (6), 28-29.

Yan, W. T. (2018). An analysis on chivalry and the tragic nature of Macbeth. Shandong Youth, (10), 127-128.

Zhu, S. H. (Trans.). (2008). William Shakespeare: Macbeth. Beijing: Popular Literature and Art Publishing House.

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