 |
[email protected] |
 |
3275638434 |
 |
 |
| Paper Publishing WeChat |
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
WANG Jie
Full-Text PDF
XML 558 Views
DOI:10.17265/2159-5836/2021.12.001
School of English and International Studies, Beijing Foreign Studies University, Beijing, China
In the decade after 1969, Heaney reached the climax of his poetry composition, in which he published four volumes of poetry, Door into the Dark, Wintering Out, North and Field Work to explore the nature and origin of the hatred and violence in Northern Ireland. The thesis focuses on five representative bog poems written in the period to explain according to Homi K. Bhabha’s postcolonial theory how the bog bodies configurate the hybrid space and how it reflects the Third Space of Northern Ireland. Furthermore, the thesis argues that from the construction of the Third Space, Heaney achieves temporary harmony between his artistic and realistic responsibility.
Seamus Heaney, Northern Ireland, postcolonial, the Third Space, bog poems
Journal of Literature and Art Studies, December 2021, Vol. 11, No. 12, 941-946
Bakhtin, M. M. et al. (1981). The dialogic imagination. Austin: University of Texas Press.
Bery, A. (2007). Cultural translation and postcolonial poetry. New York: Palgrave Macmillan.
Bhabha, H. K. (1994). The location of culture. New York: Routledge.
Boynton, T. J. (2019). Postcolonial types of ambiguity: On interculturality and anglophone poetic form. College Literature, 46(4), 761-94.
Cahill, E. (1987). A silent voice: Seamus Heaney and Ulster politics. Critical Quarterly, 29(3), 55-70.
Cosgrove, A. (Ed.). (2008). A new history of Ireland: Medieval Ireland 1169-1534. Oxford: Oxford University Press.
Everett, R., & Gearey, B. (2019). Heaney’s hauntings: Archaeology, poetry and the “Gendered Bog”. Journal of Wetland Archaeology, 19, 9-20.
Foley, A. (1998). “Befitting emblems of adversity”: The bog poems of Seamus Heaney. English Studies in Africa, 41(1), 61-75.
Guinn, B. (2009). Heaney’s wordsworth and the poetics of displacement. In B. O’Donoghue (Ed.), The Cambridge companion to Seamus Heaney (pp. 178-191). New York: Cambridge University Press.
Heaney, S. (1980). Preoccupations: Selected prose 1968-1978. Boston: Faber & Faber,.
Heaney, S. (2009). New selected poems 1966-1987. Boston: Faber & Faber.
Kennedy, D. (2002). Mound-dwellers and mummers: Language and community in Seamus Heaney’s wintering out. Irish Studies Review, 10, 303-13.
Kim, C. (2016). Cultural and domestic memory in Seamus Heaney’s bog poems. The Journal of English Cultural Studies, 9(2), 119-141.
Lee, Y.-H. (2003). Seamus Heaney’s postcolonial epistemology and political aesthetic. 영미문학연구, 5, 153-76.
Mulholland, M. (2002). Northern Ireland: A very short introduction. Oxford: Oxford University Press.
O’Brien, C. C. (1975). A slow north-east wind. The Listener, 25, 404-405.
O’Malley, A. (2015). Knowing one’s place in contemporary Irish and polish poetry: Zagajewski, Mahon, Heaney, Hartwig. Irish Studies Review, 23, 381-383.
Purdy, A. (2002). The bog body as mnemotope: Nationalist archaeologies in heaney and tournier. Style, 36(1), 93-110.
Ramazani, J. (Ed.). (2017). The Cambridge companion to postcolonial poetry. New York: Canbridge University Press.
Vaughan, W. E. (Ed.). (2010). A new history of Ireland VI: Ireland under the union 1870-1921. Oxford: Oxford University Press.