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This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
Article
The Rebel Madame: Madonna’s Postmodern Revolution
Author(s)
Diego Santos Vieira de Jesus
Full-Text PDF
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DOI:10.17265/2159-5836/2021.01.004
Affiliation(s)
ESPM-Rio, Rio de Janeiro, Brazil
ABSTRACT
The aim is to examine Madonna’s revolution regarding gender, sexuality, politics, and religion with the focus on her songs, videos, and live performances. The main argument indicates that Madonna has used postmodern strategies of representation to challenge the foundational truths of sex and gender, promote gender deconstruction and sexual multiplicity, create political sites of resistance, question the Catholic dissociation between the physical and the divine, and bring visual and musical influences from multiple cultures and marginalized identities.
KEYWORDS
Madonna, postmodernism, pop culture, sex, gender, sexuality, politics, religion, spirituality
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References
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Gender Construction in Women’s Rock Music.” The Journal of
Guilbert, G.-C. (2002). Madonna as postmodern myth. London: Mc Farland &Company, Inc., Publishers.
Gusmão, R., & Araújo, S. (2019). Urban simulacrum and Madonna: The post-modern environment of music videos. Contracampo, 38(1), 108-121.
Huyssen, A. (2006). Después de la gran división: modernismo, cultura de massas, posmodernismo. Buenos Aires: A. Hidalgo.
Jesus, D .S. V. (2020). Necropolitics and necrocapitalism: the impact of COVID-19 on Brazilian creative economy. Modern Economy, 11(6), 1121-1140.
Jesus, D. S. V. (2009). Da redução da incerteza estratégica à perpetuação da exclusão: a relevância dos fatores ideacionais na análise de política externa. Contexto internacional, 31(3), 503-534.
Jesus, D. S. V. (2010). Alternative analytical axes of Brazilian foreign policy. International Political Sociology, 4(4), 419-435.
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Jesus, D. S. V. (2012). Noites tropicais: o Brasil e a nova era da não proliferação e do desarmamento nucleares (2003-2010). Revista de Sociologia e Política, 20(43), 43-57.
Jesus, D. S. V. (2013a). De Nova York a Durban: o processo de institucionalização do BRICS. Oikos, 12(1), 32-62.
Jesus, D. S. V. (2013b). Lighting the fire: Brazil’s energy diplomacy, 2003-2010. Diplomacy & Statecraft, 24(3), 499-515.
Jesus, D. S. V. (2014a). Mundo macho: homens, masculinidades e relações internacionais. Revista Brasileira de Estudos Políticos, 109, 309-364.
Jesus, D. S. V. (2014b). O mundo fora do armário: teoria queer e relações internacionais. Ártemis, 17, 41-51.
Jesus, D. S. V. (2017a). A arte do encontro: a paradiplomacia e a internacionalização das cidades criativas. Revista de Sociologia e Política, 25(61), 51-76.
Jesus, D. S. V. (2017b). Só para o moço do corpo dourado do sol de Ipanema: distribuição espacial da economia noturna LGBT na cidade do Rio de Janeiro. Revista Brasileira de Estudos Urbanos e Regionais, 19(2), 288-309.
Jesus, D. S. V., & Kamlot, D. (2016). Economia criativa e políticas públicas. Curitiba: Prismas.
Jesus, D. S. V., & Kamlot, D. (2017). Stuck in the middle of nowhere: Cultural policy, development and creative industries in Brazil. Creative Industries Journal, 10(2), 139-154.
Jesus, D. S. V., Kamlot, D., & Dubeux, V. J. C. (2019). The decline of creative education in the city of Rio de Janeiro: Main causes and consequences. Creative Education, 10, 1670-1684.
Jesus, D. S. V., Kamlot, D., & Dubeux, V. J. C. (2020). Innovation in the ‘New Normal’ interactions, the urban space, and the low touch economy: The case of Rio de Janeiro in the context of the COVID-19 pandemic. International Journal of Social Science Studies, 8(5), 17-27.
Lima, M. L. (2017). A estetização da política na performance de Madonna (M.A. Thesis: Cmmunication, UFPE. Recife, Pernambuco, Brazil).
McCarthy, K. (2006). Not pretty girls? Sexuality, spirituality, and gender construction in women’s rock music. The Journal of Popular Culture, 39(1), 69-94.
McCarthy, Kate. “Not Pretty Girls? Sexuality, Spirituality, and
O’Brien, L. (2018). Madonna—60 Anos. Rio de Janeiro: Agir.
Patton, C. (1992). In vogue: The “Place” of “Gay Theory”. Pre-Text: A Journal of Rhetorical Theory, 13(3-4), 151-157.
Popular Culture 39.1 (2006): 69–94
Prieto-Arranz, J. I. (2012). The semiotics of performance and success in madonna. The Journal of Popular Culture, 45(1), 173-196.
Rubin, G. (1975). The traffic in women: Notes on the ‘Political Economy’ of sex. In R. R. Reiter (Ed.), Toward an anthropology of women (pp. 178-185). New York: Monthly Review Press.
Schwichtenberg, C. (1992). Madonna’s postmodern feminism: Bringing the margins to the center. Southern Communication Journal, 57(2), 120-131.
Schwichtenberg, C. (2019). The Madonna connection: Representational politics, subcultural identities, and cultural theory. New York: Routledge.
Troldahl, A. L. (2013). Like a Queen—Madonna & the stage as court in the era of social media (M.A.—Anglophone Literatures and Cultures, University of Vienna. Vienna, Austria).
Tsanev, S. (2006). Appropriating the inappropriate: Madonna and the cultural construction of an icon. Lehigh Review, 14, 1-14.
Urry, J. (2000). The tourist gaze. Leisure and travel in contemporary societies. London: Sage.
Butler, J. (1988). Performative acts and gender constitution: An essay in phenomenology and feminist theory. Theatre Journal, 40(4), 519-531.
Butler, J. (1990). Gender trouble. Feminism and the subversion of identity, New York, London: Routledge.
Butler, J. (2003). Bodies that matter: on the discursive limits of sex. New York: Routledge.
Figueiredo, J. L., Jesus, D. S. V., Robaina, D. T., & Couri, C. L. (2019). The development potential index of creative economy for Brazilian federal state capitals. Creative Industries Journal, 12(2), 185-203.
Gender Construction in Women’s Rock Music.” The Journal of
Guilbert, G.-C. (2002). Madonna as postmodern myth. London: Mc Farland &Company, Inc., Publishers.
Gusmão, R., & Araújo, S. (2019). Urban simulacrum and Madonna: The post-modern environment of music videos. Contracampo, 38(1), 108-121.
Huyssen, A. (2006). Después de la gran división: modernismo, cultura de massas, posmodernismo. Buenos Aires: A. Hidalgo.
Jesus, D .S. V. (2020). Necropolitics and necrocapitalism: the impact of COVID-19 on Brazilian creative economy. Modern Economy, 11(6), 1121-1140.
Jesus, D. S. V. (2009). Da redução da incerteza estratégica à perpetuação da exclusão: a relevância dos fatores ideacionais na análise de política externa. Contexto internacional, 31(3), 503-534.
Jesus, D. S. V. (2010). Alternative analytical axes of Brazilian foreign policy. International Political Sociology, 4(4), 419-435.
Jesus, D. S. V. (2011). Desde Angra hacia Teherán: la política nuclear brasileña bajo la administración Lula. América Latina Hoy, 58, 103-120.
Jesus, D. S. V. (2012). Noites tropicais: o Brasil e a nova era da não proliferação e do desarmamento nucleares (2003-2010). Revista de Sociologia e Política, 20(43), 43-57.
Jesus, D. S. V. (2013a). De Nova York a Durban: o processo de institucionalização do BRICS. Oikos, 12(1), 32-62.
Jesus, D. S. V. (2013b). Lighting the fire: Brazil’s energy diplomacy, 2003-2010. Diplomacy & Statecraft, 24(3), 499-515.
Jesus, D. S. V. (2014a). Mundo macho: homens, masculinidades e relações internacionais. Revista Brasileira de Estudos Políticos, 109, 309-364.
Jesus, D. S. V. (2014b). O mundo fora do armário: teoria queer e relações internacionais. Ártemis, 17, 41-51.
Jesus, D. S. V. (2017a). A arte do encontro: a paradiplomacia e a internacionalização das cidades criativas. Revista de Sociologia e Política, 25(61), 51-76.
Jesus, D. S. V. (2017b). Só para o moço do corpo dourado do sol de Ipanema: distribuição espacial da economia noturna LGBT na cidade do Rio de Janeiro. Revista Brasileira de Estudos Urbanos e Regionais, 19(2), 288-309.
Jesus, D. S. V., & Kamlot, D. (2016). Economia criativa e políticas públicas. Curitiba: Prismas.
Jesus, D. S. V., & Kamlot, D. (2017). Stuck in the middle of nowhere: Cultural policy, development and creative industries in Brazil. Creative Industries Journal, 10(2), 139-154.
Jesus, D. S. V., Kamlot, D., & Dubeux, V. J. C. (2019). The decline of creative education in the city of Rio de Janeiro: Main causes and consequences. Creative Education, 10, 1670-1684.
Jesus, D. S. V., Kamlot, D., & Dubeux, V. J. C. (2020). Innovation in the ‘New Normal’ interactions, the urban space, and the low touch economy: The case of Rio de Janeiro in the context of the COVID-19 pandemic. International Journal of Social Science Studies, 8(5), 17-27.
Lima, M. L. (2017). A estetização da política na performance de Madonna (M.A. Thesis: Cmmunication, UFPE. Recife, Pernambuco, Brazil).
McCarthy, K. (2006). Not pretty girls? Sexuality, spirituality, and gender construction in women’s rock music. The Journal of Popular Culture, 39(1), 69-94.
McCarthy, Kate. “Not Pretty Girls? Sexuality, Spirituality, and
O’Brien, L. (2018). Madonna—60 Anos. Rio de Janeiro: Agir.
Patton, C. (1992). In vogue: The “Place” of “Gay Theory”. Pre-Text: A Journal of Rhetorical Theory, 13(3-4), 151-157.
Popular Culture 39.1 (2006): 69–94
Prieto-Arranz, J. I. (2012). The semiotics of performance and success in madonna. The Journal of Popular Culture, 45(1), 173-196.
Rubin, G. (1975). The traffic in women: Notes on the ‘Political Economy’ of sex. In R. R. Reiter (Ed.), Toward an anthropology of women (pp. 178-185). New York: Monthly Review Press.
Schwichtenberg, C. (1992). Madonna’s postmodern feminism: Bringing the margins to the center. Southern Communication Journal, 57(2), 120-131.
Schwichtenberg, C. (2019). The Madonna connection: Representational politics, subcultural identities, and cultural theory. New York: Routledge.
Troldahl, A. L. (2013). Like a Queen—Madonna & the stage as court in the era of social media (M.A.—Anglophone Literatures and Cultures, University of Vienna. Vienna, Austria).
Tsanev, S. (2006). Appropriating the inappropriate: Madonna and the cultural construction of an icon. Lehigh Review, 14, 1-14.
Urry, J. (2000). The tourist gaze. Leisure and travel in contemporary societies. London: Sage.