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This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
ZHOU Ming-xia, PAN Li-na
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DOI:10.17265/2159-5836/2020.12.004
School of Foreign Languages, Gannan Normal University, Ganzhou, China, 341000
Chinese classical poetry has long been known for its unique artistic conception of mixture of sentiments and scenery, the conception beyond image and the refinement out of rhyme. From the perspective of reception aesthetics theory, this paper analyzes translation strategies of the classical poetry, probes into the problems that retaining “indeterminacy” and satisfying the readers “horizon of expectations” when translate Chinese classical poetry. It is necessary to keep enough aesthetic space, and to give full play to the translator’s aesthetic creativity when translate Chinese classical poetry, so as to reproduce the artistic conception of Chinese classical poetry.
reception aesthetics theory, Chinese poetry translation, artistic conception
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