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Affiliation(s)

University of Shanghai for Science and Technology, Shanghai, China

ABSTRACT

Peter Carey is “one of the most original and talented writers” of New Writing in Australia. Oscar and Lucinda is one of his novels, which sets in 19th century Britain and Australia and tells the bizarre, pure love story between these two persons. However, it is also interspersed with numerous depictions of Christianity, Australian aboriginal culture, and British colonial invasion. Therefore, many critics and even Peter Carey himself see it as an exploration and reflection on colonialism and Australia’s national cultural identity. Aiming at the colonial elements in the novel, this paper will proceed from the post-colonial theory, through the analysis of the hybridity of the protagonist’s identities and the inner themes of the novel, to explore the characters’ confusion about identity under the colonial era, and the cruel colonial reality hidden under the Christian civilization. 

KEYWORDS

Peter Carey, Oscar and Lucinda, post-colonialism

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References

Ashcroft, B., Griffiths, G., & Tiffin, H. (1989). The empire writes back. London: Routledge.

Hua, J. (2011). Subverting history and facing “civilization”—Oscar and Lucinda from the perspective of postcolonialism. Journal of Hubei University of Economics: Humanities and Social Sciences, (7), 28-40.

Peng, Q. L. (2011a). A critical study of Peter Carey’s fiction. Shanghai: Shanghai Foreign Language Education Press.

Peng, Q. L. (2011b). Peter Carey: From the representative of new writing to the national myth maker. Contemporary Foreign Languages Studies, (2), 26-31+61.

Sheng, A. F. (2011). A study of Homi K. Bhabha’s postcolonial theories. Beijing: Peking University Press.

Zhou, X. J. (2005). Stigma, imagined enemies and national identity—on the Aborigine image and Australian national identity in Thomas Keneally’s novels. Contemporary Foreign Literature, (2), 94-100.

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