Paper Status Tracking
Contact us
[email protected]
Click here to send a message to me 3275638434
Paper Publishing WeChat

Article
Affiliation(s)

Language & culture school, Beijing Institute of Fashion Technology, Beijing, China Production design, London, Arts university of London, London, UK

ABSTRACT

China is known as the “Kingdom of dress”, and the traditional Chinese fashion culture has a long history. Due to the obvious differences of natural conditions and environmental climate in different places, the shape of clothing has its own characteristics, and it is harmonious and unified between the color, fabric and style of clothing. These factors are mainly reflected in the coordination and unity of “regulation and ritual system” of Chinese traditional costume culture, the harmonious beauty of “harmony between man and nature”, the “harmony view” of costume culture of hundreds of schools of Mohist, Confucian, Taoist and Legalists, and the “ecological harmony” of costume culture, all of these explain and demonstrate the beauty of harmony of Chinese traditional costume culture from different aspects.

KEYWORDS

traditional Chinese fashion, culture, harmonious beauty

Cite this paper

References
Bi, Y. X. (1995). Mozi. Shanghai: Shanghai Ancient Books Publishing House.
Cai, Z. G. (2001). On Dong Zhongshu’s dress aesthetic thought with “destiny” as its core. Hebei academic journal, (5), 46-50.
Chen, Q. J. (2012). Common sense of philosophy. Tianjin: Tianjin Science and Technology Press.
Han, L. H. (2206). A tour of the world through empty self—A philosophical study of Zhuangzi. Beijing: Peking University Press.
He, X. L. (1996). Chinese totem culture. Beijing: China Social Sciences Press.
Hua, M., Lin, Y. L., & Jia, W. (2013). The origin of ecological beauty of Oriental traditional clothing. Scientific development of Ecological Civilization: Excellent Papers Collection of the Ninth Annual Academic Conference of Tianjin Social Sciences (I) (pp. 116-121).
Li, Z. L. (1996). Explaination of Lisao.Yingchuan: Ningxia People’s Publishing House Press.
Yang, B. J. (1980). Analects translation note. Beijing: Zhonghua Book Company.
Ye, Y. L. (1987 ). Zhuangzi. Tianjin: Tianjin Ancient Books Publishing House.
Zeng, Z. Y., & Fu, Y. J. (2010). Chunqiu Fanlu Xinzhu. Beijing: Commercial Press.
Zhang, H. H. (2014). Ecological beauty and Enlightenment of Hakka traditional clothing in the era of farming. Anhui Agricultural Science, 42(26), 9258-9260.
Zhang, J. L. (2015). Seamless. Beijing: Peking University Press.
Zhang, Z. C. (n.d). https://www.chinesefolklore.org.cn/blog/?uid-354-action-viewspace-itemid-9678
Zhong, Y. Z. (2009). On Xunzi’s harmonious aesthetic view of “viewing virtue with jade”. Hubei Social Sciences, (7), 121-123.
Zhu, X., & Li, Q. J. (1979). Notes on Chuci. Shanghai: Shanghai Ancient Books Publishing House.
Zhi, X. (2004). Spirit of dynasties’ short essay, Wuhan: Chongwen Book Publishing House Press.

About | Terms & Conditions | Issue | Privacy | Contact us
Copyright © 2001 - David Publishing Company All rights reserved, www.davidpublisher.com
3 Germay Dr., Unit 4 #4651, Wilmington DE 19804; Tel: 1-323-984-7526; Email: [email protected]