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Article
To Reason Unreasonably—On the Undercurrent of Irrationality in Edgar Allan Poe’s Detective Stories
Author(s)
Billy Bin Feng Huang
Full-Text PDF XML 722 Views
DOI:10.17265/2160-6579/2020.03.002
Affiliation(s)
Shilin High School of Commerce, Taipei, Taiwan
ABSTRACT
It is generally believed
that Edgar Allan Poe’s detective stories feature the ratiocination of C.
Auguste Dupin, a detective Poe has created. However, this paper aims to
demonstrate that there is actually an undercurrent of irrationality in Poe’s detective
stories. First of all, ratiocination, by definition, refers to inference, or
deductive rules. It is also a type of the Enlightenment thinking that is
closely related to reason or rationality. In detective fiction, it is the
detective’s ability to analyze the clues and reason out the truth. It is true
that Dupin’s ratiocination predominates in Poe’s detective stories. However, a
closer look will reveal that Dupin’s ratiocinative processes in these stories
are in fact blended with his speculation or imagination, namely, elements of
irrationality. That is, beneath Dupin’s seemly seamless ratiocinative model is
indeed an undercurrent of irrationality. To find out the origin of this
undercurrent, we have to research the historical background of Poe’s detective
stories. In the era of Poe’s detective stories, the Enlightenment is the
dominant thinking, while there is also a resistant force developing at the same
time, Gothicism. The Enlightenment puts a premium on reason; in contrast,
Gothicism is often equated with irrationality, whose manifestations include
horror or imagination. Poe, who is deemed as the “romantic ironist”, is a
writer who is uniquely capable of making two statements with opposite meanings
simultaneously. So as he indicates that ratiocination will lead to the truth in
his detective stories, he may as well implies that imagination or speculation
will also fulfill the same purpose. In addition, Poe excels in absorbing
contraries; thus, he infuses both rationality and irrationality into his detective
stories. For Poe, the latter has to be subdued by the former. As a consequence,
the former plays a pivotal role in Poe’s detective stories, while the latter
ends up as an undercurrent.
KEYWORDS
Edgar Allan Poe, C. Auguste Dupin, ratiocination(-ive), irrationality
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