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Article
Affiliation(s)

University of Nebraska, Omaha, USA

ABSTRACT

This paper compares the original 1990 cult film, Jacob’s Ladder, directed by Adrian Lyne, to the 2019 remake, directed by David Rosenthal. In 2015 we published an article using The Tibetan Book of the Dead as a mechanism for interpreting the original 1990 film. We believed then and do now that The Tibetan Book of the Dead provides the most comprehensive and interesting interpretation of the original film. We were anxious, then, to see how the 2019 remake dealt with concepts like enlightenment, attachment, the bardo, and other ideas from The Tibetan Book of the Dead. In the end, we decided that while the remake has many similarities with the original, the 2019 version of the film does not lend itself to interpretation using The Tibetan Book of the Dead.

KEYWORDS

the ladder, drug addiction, The Tibetan Book of the Dead, Bardo, death, liberation, Nirvana, and Samsara

Cite this paper

References
Camus, A. (1946). The stranger. New York: Vintage Books.
Camus, A. (1955). The myth of sisyphus and other essays. New York: Alfred A. Knopf.
Coleman, G., & Jinpa, T. (2005). The Tibetan book of the dead: The great liberation through hearing in the intermediate states. New York: Penguin Books.
DeSanti, B., & Blizek, W. (2015). Understanding Jacob’s Ladder through the Tibetan book of the dead. Journal of Religion and Popular Culture, 27(1), 45-56.
Politella, J. (1965). Meister Eckhart and Eastern Wisdom. Philosophy East and West, 15(2), 117-133.
Thurman, R. (1994). The Tibetan Book of the Dead: Liberation through understanding in the between. New York: Bantam Books.

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