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This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
Article
Author(s)
Stephen O. Eyeh
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DOI:10.17265/2328-2134/2019.10.004
Affiliation(s)
Redeemer’s University, Osun State, Nigeria
ABSTRACT
This
paper examines the life of Africans, using literature to discuss movements from
Africa to other parts of the world as Diasporas. Such movements begin with slavery,
to political asylum being sought and now self-initiated movements for trade,
education, and labour for the facilitation of both information and industrial
development. Relevant literatures are reviewed and analysed for their symbolic
implications beyond the texts in order to establish the dialectic of facts and
fiction. The relevant literatures include: Olaudah Equaino’s (1789) Equaino’s Travels, Joseph Conrad’s
(1995) Heart of Darkness and Other
Stories, and Akachi Adimora-Ezeigbo’s (2008) Trafficked. This paper posits that prior to the 15th century,
Africans were free in their natural milieu with either no threat to their lives
or being alienated from their ancestral homes until the period of slavery.
Sequel to the attainment of independence by most African countries with the
hope for self-governance and development, corruption, civil wars, foreign
debts, economic depression, famine, and poverty truncate the people’s hope for
better living. African citizens therefore seek refuge abroad in countries with
viable economy. With globalization, not only education and culture play
significant roles, but also modern technology especially information and
communication technology (ICT) play key roles in population drift in trade.
There lies an absurdity that Africans now flee their once free homeland or
countries to foreign lands which are perceived as “heaven on earth” because of
their functional systems through effective governance. Thus, this paper
concludes that new movements and new Africans in the Diaspora are
self-initiated, imposed, and motivated irrespective of their being alienated
from home and the risks involved since the end will justify the means.
KEYWORDS
Africans, Diaspora, myths, images, fiction
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