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Affiliation(s)

Northampton Community College, Bethlehem, USA

ABSTRACT

Elizabeth I: Gender and Paradigm explores how Elizabeth I combined elements: male discourse, Elizabethan theatre, and the new Anglican church to maintain her power and rule for 45 years. The historical figure, Elizabeth, and her dramatic double, Rosalind, provide feminist studies with an insight into how British women of the 16th century used contemporary notions of masculinity and femininity to their advantage. Elizabethan studies and its contemporary plays offer examples of fluid gender identity used by females for safety, free speech, and self-determination. Elizabeth used the new Anglican church as divine validation for her rule and the fact that Elizabeth spoke directly to her people and her parliament and conducted international relations in at least six languages. Elizabeth I, and the theatre she so enjoyed, offer a dialectic for tracing the lineage of what is now referred to as feminism.

KEYWORDS

Elizabeth I, gender identity, attire, Shakespeare, feminism, discourse, women leadership

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References
Berggren, P. S. (1983). The woman’s part: Female sexuality as power in Shakespeare’s plays. In C. R. S. Lenz, G. Greene, and C. T. Neely (Eds.), The woman’s part (pp. 17-34). Chicago: University of Illinois Press.
Claiborne Park, C. (1983). As we like it. In C. R. S. Lenz, G. Greene, and C. T. Neely (Eds.), The woman’s part (pp. 100-116). Chicago: University of Illinois Press.
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Heisch, A. (1980). Queen Elizabeth I and the persistence of patriarchy. Feminist Review, 3(2), 45-56.
Montrose, L. A. (1986). A midsummer night’s dream and the shaping fantasies of Elizabethan culture: Gender, power, form. In M. W. Ferguson, M. Quilligan, and N. J. Vickers (Eds.), Rewriting the renaissance (pp. 65-87). Chicago: University of Chicago Press.
Rice, G. P. (1951). The public speaking of Queen Elizabeth I. New York: Columbia University Press.

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